{"data":{"pl":{"nodes":[{"title":"\"Korekty\" Jonathana Franzena","date":"01/11/2025","slug":"the-corrections","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Kiedy sięgnąłem po \"Korekty","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"\"","nodeType":"text"},{"data":{},"marks":[],"value":", zrobiłem to z ciekawością podsycaną rankingiem The New York Times, który uznał tę powieść za jedno z najważniejszych dzieł XXI wieku - piąte na liście. To rekomendacja, która nie pozwala czytać obojętnie. I rzeczywiście: od pierwszych stron czuć, że Franzen mierzy wysoko, a jego ambicja pulsuje pod każdym zdaniem.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Powieść prowadzi nas w głąb świata Lambertów, rodziny uwikłanej we własne ambicje i rozczarowania - Enid i Alfreda, pary, której życie powoli przechyla się ku zmierzchowi, oraz ich trojga dorosłych dzieci: Gary’ego, Chipa i Denise. Enid marzy o ostatnich, idealnych świętach w St. Jude, jakby ten jeden moment mógł scalić wszystko, co w ich życiu zaczęło się kruszyć. Ale każde z dzieci biegnie już własną drogą: Gary, bankier o duszy zmęczonej bardziej niż jego harmonogram; Chip, były akademik, który desperacko próbuje odnaleźć sens tam, gdzie nie ma go prawie wcale; Denise, szefowa kuchni, której talent lśni, ale której serce pęka na ciche kawałki.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Najmocniej poruszają sceny dzieciństwa. Tam Franzen pisze tak, jakby trzymał w dłoni nitkę prowadzącą prosto do serca przeżyć, które zna każdy, choć nie każdy potrafi je nazwać. W tych fragmentach narrator przemieszcza się od jednej świadomości do drugiej z delikatnością kogoś, kto wie, że wspomnienia są kruchym szkłem - i dotykając ich, nadaje im blask. Rodzina wydaje się tam jednym organizmem: pełnym światła, pęknięć, niepokoju, ciepła. I nagle widzimy ich wszystkich nie jako postacie, lecz jako ludzi - trudnych, niespokojnych, prawdziwych.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Nielinearna forma powieści działa jak pamięć, która nie zna chronologii. Przeszłość nachodzi na teraźniejszość jak fala, która nie pyta o pozwolenie. Czasem dzięki temu książka płonie intensywniej, czasem przeciwnie rozpada się na zbyt ostre kawałki. Franzen bywa wspaniały, gdy wsłuchuje się w cichą stronę ludzkich emocji; bywa słabszy, gdy daje się ponieść satyrze.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Najbardziej odstaje wątek litewski. Tam, gdzie autor chciał zagrać czarnym humorem, wychodzi groteska - zbyt łatwa, zbyt prosta. Ten świat nie ma życia, a przez to traci siłę.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ale potem nadchodzą sceny Alfreda walczącego z chorobą Parkinsona i wszystko wraca na właściwy tor. To jedne z najbardziej przejmujących stron, jakie napisał Franzen: surowe, szczere, pełne cichej godności człowieka, który traci ciało, ale nie traci siebie. Te sceny uderzają prostotą i szczerością, która zostaje w człowieku na długo.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"\"Korekty\" ","nodeType":"text"},{"data":{},"marks":[],"value":"to powieść nierówna, ale ogromnie ludzka. Tętni sprzecznościami — ironią i współczuciem, chłodem i żarem, ostrością i czułością. I właśnie dlatego budzi emocje. Bo dotyka tego, co tkwi głęboko: naszych rodzinnych pęknięć, wspomnień, które chcemy odzyskać, oraz wszystkich małych poprawek, które wprowadzamy w naszym życiu, wierząc — choćby naiwnie — że uda nam się coś naprawić.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"the corrections","fluid":{"aspectRatio":1.3333333333333333,"src":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"My\" Davida Nichollsa","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"nodeType":"document","data":{},"content":[{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"David Nicholls w powieści \"My\" opowiada historię Douglasa Petersena, biochemika w średnim wieku, którego wygodne, choć nieco monotonne życie zostaje wywrócone do góry nogami, gdy jego żona Connie oznajmia, że rozważa odejście od niego, gdy ich jedyny syn wyjedzie na studia. W desperackiej próbie uratowania zarówno swojego małżeństwa, jak i relacji z nastoletnim synem, Douglas organizuje dla nich trojga „Wielką Podróż” po Europie. To, co miało być kulturalną wycieczką rodzinną, szybko zamienia się w emocjonalną podróż, podczas której Douglas — czasem komicznie, czasem boleśnie — próbuje odzyskać uczucia Connie, a jednocześnie nauczyć się na nowo nawiązywać więź ze swoim synem.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Powieść przeplata wydarzenia z podróży z teraźniejszości ze wspomnieniami Douglasa: jego poznaniem Connie, historią ich miłości i latami wspólnego życia. Nicholls wykorzystuje tę strukturę, aby podkreślić kontrast między ostrożną, racjonalną osobowością Douglasa a nieokiełznanym, artystycznym duchem Connie. Napięcie wynikające z tych różnic nadaje książce energię i ducha, zachęcając czytelnika do refleksji nad miłością, kompromisem i upływem czasu.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Powieść \"My\" nie jest arcydziełem literatury, ale to bardzo dobra książka na wakacje: przystępna, łatwa w odbiorze i pełna humoru. Styl Nichollsa czyta się lekko, a jego obserwacje na temat życia rodzinnego i małżeństwa są zarówno trafne, jak i pełne czułości. Tym, co ostatecznie ratuje powieść przed przewidywalnością, jest jej zakończenie. Wysiłki Douglasa, by ocalić małżeństwo, zawodzą i zamiast schematycznego, hollywoodzkiego happy endu Nicholls wybiera bardziej szczere rozwiązanie — Douglas musi pogodzić się ze stratą i iść dalej. Ten wybór sprawia, że historia staje się bardziej autentyczna i emocjonalnie satysfakcjonująca.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"\"My\" to słodko-gorzka opowieść o miłości, porażce i sile przetrwania — wystarczająco lekka, by zabrać ją na wakacje, ale bez głębi, która pozostałaby z czytelnikiem na dłużej.","marks":[],"data":{}}]}]}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"„Our Evenings” [Nasze wieczory] Alana Hollinghursta","date":"10/07/2025","slug":"our-evenings","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] opowiada historię Dave’a Wina, mężczyzny o mieszanym pochodzeniu rasowym, wywodzącego się ze skromnej rodziny. Dzięki stypendium trafia do prestiżowej prywatnej szkoły, gdzie poznaje Edwarda, czarującego syna zamożnej, arystokratycznej rodziny. Od tego momentu ich losy zaczynają się splatać, prowadząc od młodzieńczych fascynacji przez kolejne dekady wspólnych — choć czasem burzliwych — doświadczeń. Choć Dave ostatecznie nie kończy studiów w Oksfordzie, z czasem zdobywa sławę jako aktor, podziwiany na scenie i ekranie. Jego pochodzenie etniczne w subtelny sposób kształtuje poczucie bycia kimś na uboczu, nawet w tętniących życiem londyńskich środowiskach gejowskich. Przez całą powieść historia Dave’a pozostaje nierozerwalnie związana z historią Edwarda: ich przelotne romanse, zmienne układy sił i trwała, choć nierówna więź napędzają narrację, ukazując, jak klasa, rasa i seksualność splatają się w Anglii na przestrzeni dziesięcioleci.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Choć ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] zapowiada się na wnikliwy, poruszający portret pragnień i pamięci, pod koniec czytelnik zadaje sobie pytanie, po co to wszystko właściwie było. Sam zamysł jest urzekający: ukazać, jak zmieniały się życie i miłość gejów na tle przemian społecznych. Jednak mimo tego bogatego tła powieść nie dostarcza emocjonalnej siły, którą obiecywała. Znajdziemy tu piękne zdania, sugestywne obrazy i trafne spostrzeżenia obyczajowe, ale fabuła ostatecznie się rozmywa. Bohaterowie, choć wyraziści w opisie zewnętrznym, pozostają mało prawdziwi, a ich przeżycia ukazane są jedynie powierzchownie.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"To tym bardziej rozczarowuje, że punkt wyjścia jest naprawdę mocny. Powieść, która ma oddać doświadczenia gejów na przestrzeni dziesięcioleci, powinna poruszać albo przynajmniej skłaniać do głębszej refleksji. Tymczasem zamykamy książkę z poczuciem obojętności, jakby nic istotnego się nie wydarzyło. Ostatecznie ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] sprawia wrażenie zmarnowanej szansy. Styl Hollinghursta pozostaje pełen wdzięku, ale tym razem sama forma nie wystarcza, by udźwignąć opowieść, która nigdy do końca nie pokazuje, dlaczego te życia i miłości powinny naprawdę coś dla nas znaczyć.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Our evenings","fluid":{"aspectRatio":1.777728482697427,"src":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}}]},"fr":{"nodes":[{"title":"\"Leçons\" d'Ian McEwan","date":"21/12/2025","slug":"lessons-by-ian-mcewan","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Dans \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Leçons\"","nodeType":"text"},{"data":{},"marks":[],"value":", Ian McEwan propose une méditation ample et discrète sur une vie façonnée par le temps, la mémoire et les expériences fondatrices. Le roman suit le parcours de Roland Baines depuis l’enfance jusqu’à la vieillesse, à travers des décennies marquées moins par des événements spectaculaires que par l’accumulation lente et silencieuse de leurs conséquences. Au cœur de ce destin se trouvent les années de formation : des leçons de piano, une relation précoce avec son enseignante, et une intimité qui laisse une empreinte durable sur son développement affectif. Ces expériences initiales résonnent tout au long de sa vie, influençant ses choix, ses renoncements, et sa propension à subir les événements plutôt qu’à les provoquer. À l’âge adulte, Roland devient en quelque sorte le spectateur de sa propre existence, notamment lorsque son épouse, Alisson, le quitte, lui et leur fils Lawrence, afin de poursuivre son ambition d’écrivaine. À travers ce portrait intime, McEwan interroge la persistance du passé, le poids des chemins non empruntés et la frontière fragile entre liberté et passivité.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ma lecture de \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Leçons\"","nodeType":"text"},{"data":{},"marks":[],"value":" a été profondément marquante. Ayant auparavant lu “Expiation”, “Délires d'amour” et “Amsterdam”, j’ai trouvé que \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Leçons\"","nodeType":"text"},{"data":{},"marks":[],"value":" est le roman de McEwan qui m’a le plus touché. Le texte se déploie avec une intensité feutrée et une mélancolie diffuse, particulièrement sensible dans la manière dont il saisit le passage du temps. S’il renonce peut-être à la tension dramatique ou à l’ingéniosité formelle de certaines œuvres antérieures, il gagne en profondeur émotionnelle et en maturité réflexive.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Sur une large partie du roman, l’écriture de McEwan atteint une grande justesse. La narration est maîtrisée, jamais pesante, et ouvre des espaces de réflexion sur l’amour, la littérature, la musique et les occasions manquées. Le lecteur n’est pas invité à juger Roland, mais à l’observer avec patience, comme on observe une vie se dessiner lentement à travers les hésitations et l’endurance silencieuse.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Le roman n’est cependant pas exempt de faiblesses. Sa longueur finit parfois par lui nuire et, dans les dernières pages, la tension narrative semble s’affaiblir. Certains passages paraissent superflus, comme si l’auteur relâchait momentanément son emprise sur le récit. Si le style demeure précis et contrôlé, il n’atteint pas toujours l’intensité des sections les plus réussies.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"\"Leçons\"","nodeType":"text"},{"data":{},"marks":[],"value":" demeure néanmoins le portrait d’un homme ordinaire, rendu singulier par l’attention portée à son monde intérieur. C’est un roman sur la manière dont le passé s’inscrit en nous, sur ce que signifie vivre avec ses silences et ses renoncements, et sur la découverte, souvent tardive, des leçons que la vie n’a cessé de nous enseigner.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Lessons","fluid":{"aspectRatio":1.2879256965944272,"src":"//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=200&h=155&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=400&h=311&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=800&h=621&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=1200&h=932&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=1600&h=1242&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=2400&h=1863&q=50 2400w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=3744&h=2907&q=50 3744w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=200&h=155&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=400&h=311&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=800&h=621&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=1200&h=932&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=1600&h=1242&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=2400&h=1863&q=50&fm=webp 2400w,\n//images.ctfassets.net/mr4anmal14yv/2q7QGxpxb0V0w8l4fNPojO/08e46c245584e568b791493c4797d42b/IMG_5522.jpeg?w=3744&h=2907&q=50&fm=webp 3744w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Les Corrections\" de Jonathan Franzen","date":"01/11/2025","slug":"the-corrections","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Lorsque j’ai ouvert ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"\"Les Corrections\"","nodeType":"text"},{"data":{},"marks":[],"value":", c’est en suivant la recommandation du The New York Times, qui l’avait classé parmi les cent ouvrages les plus importants du XXIᵉ siècle : à la cinquième place, rien de moins. Une telle distinction crée des attentes considérables, et le roman de Franzen, à bien des endroits, y répond avec éclat.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Au centre du livre se trouve la famille Lambert : Enid et Alfred, couple vieillissant du Midwest, et leurs trois enfants adultes : Gary, Chip et Denise. Enid rêve d’un dernier Noël parfait à St. Jude, leur ville natale, tandis que ses enfants, chacun à sa manière, s’enlisent dans la désillusion : Gary, banquier prospère mais dévasté intérieurement ; Chip, universitaire déchu lancé dans des affaires douteuses ; Denise, cheffe brillante tiraillée entre ambition, loyauté et culpabilité. À travers leurs histoires, le roman met au jour les failles qui, peu à peu, ont fissuré une famille jadis soudée par la routine, la foi et le devoir.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Les pages les plus bouleversantes sont celles consacrées à leur enfance. Franzen y déploie une écriture d’une précision tendre, attentive aux moindres frémissements du quotidien. En glissant sans effort d’une conscience à l’autre, il donne l’impression d’un organisme unique dont chaque membre n’existerait qu’à travers les autres. Dans ces passages, le livre respire, palpite, devient presque douloureusement vrai.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"La structure non chronologique renforce cette impression. Elle épouse les mouvements de la mémoire, qui fait sans cesse remonter le passé dans le présent. Mais cette fragmentation révèle aussi les inégalités du roman : certaines sections brillent par leur justesse et leur profondeur, tandis que d’autres s’alourdissent de satire ou s’égarent dans l’excès.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"La partie la plus faible, selon moi, est celle où Chip travaille comme promoteur culturel en Lituanie. Ce qui devait être une comédie noire glisse vers la caricature. La Lituanie post-soviétique y apparaît comme un territoire de truands sans substance, une vision condescendante et assez éloignée du réel. L’humour, ailleurs incisif, devient ici pesant et presque grinçant.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Franzen se rachète toutefois dans les chapitres décrivant l’affaiblissement d’Alfred, emporté par la maladie de Parkinson. Ce sont des pages d’une grande humanité, sobres, douloureuses, qui disent la fragilité du corps et la persistance de la dignité. Elles restent longtemps en mémoire, bien après que la satire s’est dissipée.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"En fin de compte, \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Les Corrections\"","nodeType":"text"},{"data":{},"marks":[],"value":" est un roman profondément humain, quoique inégal. Il navigue entre ironie et compassion, éclairs de génie et débordements. Mais malgré ses failles, il demeure une méditation puissante sur la famille, la mémoire et ces petites corrections douloureuses par lesquelles nous tentons, un jour ou l’autre, de remettre un peu d’ordre dans nos vies.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"the corrections","fluid":{"aspectRatio":1.3333333333333333,"src":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Nous\" de David Nicholls","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" de David Nicholls raconte l’histoire de Douglas Petersen, un biochimiste cinquantainaire dont la vie confortable, mais un peu monotone, bascule lorsque sa femme, Connie, lui annonce qu’elle envisage de le quitter une fois que leur fils unique partira à l’université. Dans une tentative désespérée de sauver à la fois son mariage et sa relation avec son fils, Douglas organise un « Grand Tour » de l’Europe. Ce qui devait être un voyage culturel en famille se transforme rapidement en une aventure émotionnelle, Douglas essayant — parfois de façon comique, parfois avec douleur — de regagner l’affection de Connie tout en apprenant à se rapprocher de son fils.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Le roman alterne entre le voyage actuel et les souvenirs de Douglas : sa rencontre avec Connie, leur histoire d’amour et leur vie de couple. Nicholls utilise cette structure pour mettre en lumière le contraste entre la personnalité prudente et rationnelle de Douglas et la nature libre et artistique de Connie. La tension entre ces différences donne au livre son énergie et son cœur, invitant le lecteur à réfléchir à l’amour, au compromis et au passage du temps.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" n’est pas un chef-d’œuvre de la littérature, mais c’est un très bon livre de vacances : accessible, facile à lire et parsemé d’humour. Le style de Nicholls est fluide, et ses observations sur la vie de famille et le mariage sonnent justes et pleines de tendresse. Ce qui sauve vraiment le roman de la prévisibilité, c’est sa fin : les efforts de Douglas pour sauver son mariage échouent, et au lieu d’offrir un dénouement formaté façon Hollywood, Nicholls choisit une conclusion plus honnête — Douglas doit accepter la perte et avancer. Ce choix rend le livre plus authentique et émotionnellement satisfaisant.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" est une histoire douce-amère sur l’amour, l’échec et la résilience — suffisamment légère pour être lue en été, mais sans réelle profondeur pour marquer durablement une fois le livre refermé.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}}]},"en":{"nodes":[{"title":"\"The Corrections\" by Jonathan Franzen","date":"01/11/2025","slug":"the-corrections","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"When I picked up ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":", I was guided by the New York Times, which placed it among the one hundred most important books of the twenty-first century: number five on the list. Such a distinction sets expectations high, and Franzen’s novel, in many respects, meets them.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"At its heart, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":" tells the story of the Lambert family: Enid and Alfred, an aging Midwestern couple, and their three adult children, Gary, Chip, and Denise. Enid dreams of gathering everyone for one last perfect Christmas in St. Jude, their small Midwestern town, while each of her children struggles with disillusionment and moral confusion: Gary, a successful but unhappy banker; Chip, a failed academic turned dubious entrepreneur; and Denise, a talented chef caught between ambition and guilt. The narrative shifts between their lives, revealing the cracks that have formed over time in a family once bound by habit, faith, and duty.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The most moving sections are those devoted to the siblings’ childhood. In these pages, Franzen writes with a delicate precision, capturing the small joys and sorrows of domestic life. The narration, fluidly shifting from one consciousness to another, gives the impression of a single, shared organism: each family member incomplete without the others. Here, the novel feels alive, intimate, and painfully true.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The non-chronological structure strengthens this impression. Franzen’s fragmented storytelling mirrors the workings of memory itself, where the past constantly invades the present. Yet this structure also reveals the novel’s unevenness. Certain parts display emotional depth and subtlety, while others collapse under satire or excess.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The weakest section, to my mind, concerns Chip’s career as a cultural promoter in Lithuania. What may have been intended as dark comedy turns into ridicule. Franzen’s depiction of post-Soviet Lithuania: as a place ruled by gunmen and devoid of substance: feels condescending and detached from reality. The humour, elsewhere sharp and intelligent, here becomes heavy-handed and almost irritating.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Still, Franzen redeems himself in the portrayal of Alfred’s descent into Parkinson’s disease. These passages are poignant and unflinching, revealing the fragility of the human body and the stubborn dignity of old age. They carry an emotional truth that lingers long after the satire fades.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":" is, in the end, a deeply human but uneven novel. It oscillates between irony and empathy, brilliance and excess. Despite its flaws (and perhaps because of them) it stands as a powerful reflection on family, memory, and the small, painful adjustments we make in our lives in the hope of setting things right.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"the corrections","fluid":{"aspectRatio":1.3333333333333333,"src":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Us\" by David Nicholls","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"David Nicholls’ \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Us\"","nodeType":"text"},{"data":{},"marks":[],"value":" follows the story of Douglas Petersen, a middle-aged biochemist whose comfortable, if somewhat dull, life is thrown into crisis when his wife, Connie, announces that she is considering leaving him after their only son departs for university. In a desperate attempt to save both his marriage and his relationship with his teenage son, Douglas organizes a “Grand Tour” of Europe for the three of them. What begins as a cultural family trip quickly turns into an emotional journey, as Douglas tries—sometimes comically, sometimes painfully—to win back Connie’s affection while also learning how to reconnect with his son.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The novel alternates between the present-day trip and Douglas’s memories of his courtship and married life with Connie. Nicholls uses this structure to highlight the contrasts between Douglas’s cautious, rational personality and Connie’s free-spirited, artistic nature. The tension between these differences gives the book its energy and heart, as readers are invited to reflect on love, compromise, and the passage of time.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"\"Us\"","nodeType":"text"},{"data":{},"marks":[],"value":" is not a masterpiece of literature, but it is a good book for the holidays: accessible, easy to read, and sprinkled with humor. Nicholls’ prose flows effortlessly, and his observations about family life and marriage feel both relatable and tender. What ultimately saves the book from predictability is its ending. Douglas’s efforts to save his marriage fail, and rather than delivering a formulaic, Hollywood-style resolution, Nicholls opts for a more honest conclusion—Douglas is forced to accept the loss and to move on. This choice makes the novel more authentic and emotionally satisfying.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"In the end, \"Us\" is a bittersweet story about love, failure, and resilience — light enough for a summer read, but without enough substance to linger afterwards.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"“Our Evenings” by Alan Hollinghurst","date":"10/07/2025","slug":"our-evenings","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" follows Dave Win, a mixed-race boy from a modest family who earns a scholarship to a prestigious public school, where he first crosses paths with Edward, a charming young man from a wealthy, aristocratic background. Their lives become intertwined from adolescence onward. Though Dave later fails to complete his degree at Oxford, he eventually finds fame as an actor, celebrated on stage and screen. His ethnic background subtly shapes his sense of being an outsider, even within London’s vibrant gay circles. Throughout the novel, Dave’s story remains linked to Edward’s: their occasional affairs, shifting power dynamics, and enduring bond drive much of the narrative, revealing how class, race, and sexuality play out over decades of English life.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"From the very first page, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" promises to be a sweeping, intimate portrait of desire and memory, but by the final chapter, the reader is left wondering what, exactly, it was all for. The idea is compelling: to trace the evolution of gay life and love over such a long period, exploring how private passions are shaped by public change. Yet despite this rich backdrop, the novel struggles to deliver the emotional impact it seems to promise. There are beautiful sentences, atmospheric settings, and moments of keen social insight, but ultimately the narrative drifts. The characters, though clearly drawn, remain strangely distant, their inner lives only lightly touched on.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"It is disappointing precisely because the premise is so strong. A novel that sets out to capture gay experience across decades should leave us moved or at least reflective. Instead, we close the book with a sense of indifference, as if nothing truly important has happened. 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