{"data":{"pl":{"title":"„To ciągle ja, Khady Demba”. O „Trzech silnych kobietach” Marii NDiaye.","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Cieszącą się uznaniem krytyki (Nagroda Goncourt 2009) i publiczności (ponad pół miliona sprzedanych egzemplarzy) powieść Marii NDiaye warto przeczytać z co najmniej trzech powodów  — nowatorskiego stylu, ciekawej fabuły i niebanalnego przesłania.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ta francusko-senegalskiego pochodzenia pisarka zdołała zawładnąć sercami dużej rzeszy czytelników nie tylko dzięki porywającym historiom, ale także niezwykłej atmosferze swojej prozy uzyskanej za pomocą zabiegu realizmu magicznego. Jej najnowsza powieść – jak wskazuje na to już sam tytuł –  traktuje o trzech silnych kobietach","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Nora, Fanta i Khady Demba silne są na wiele sposobów, a ich siła niekoniecznie oznacza odporność psychiczną. Nora po latach rozłąki zmierzyć się musi z autorytarnym, skrajnie mizoginicznym ojcem i rodzinną tajemnicą, która zaskoczy najbardziej przewidującego czytelnika. Fanta, niegdyś nauczycielka języka francuskiego w Dakarze, od kilku lat mieszkająca we Francji, w powieści Marii NDiaye występuje pośrednio – jej obecność naznaczona jest bowiem jedynie przez opowieść jej męża, nieustannie wyrzucającego sobie niemożność zapewnienia jej godziwych warunków życia w Europie.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Osobiście najbardziej uwiodły mnie losy Khady Demby – bezdzietnej kobiety, której po śmierci męża przychodzi znieść ogrom różnorakich upokorzeń. Niezależnie od okoliczności Khady zachowuje godność, nieustannie powtarzając rytmiczną, z pozoru prostą acz bogatą w przesłanie myśl  – „To ciągle ja, Khady Demba”.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Zdanie to mogłoby poniekąd stanowić motto książki NDiaye. Niezależnie od okoliczności pozostań wierna własnym ideałom, nigdy nie trać nadziei i bez względu na wszystko miej odwagę spojrzeć własnemu życiu prosto w twarz!","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"tekst: ","nodeType":"text"},{"data":{"uri":"https://pawel-hladki.com/qui-suis-je/"},"content":[{"data":{},"marks":[],"value":"","nodeType":"text"}],"nodeType":"hyperlink"},{"data":{},"marks":[],"value":"Paweł Hładki","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Rysunek: ","nodeType":"text"},{"data":{"uri":"http://asabolt.com/"},"content":[{"data":{},"marks":[],"value":"","nodeType":"text"}],"nodeType":"hyperlink"},{"data":{},"marks":[],"value":" Agata 'Asabolt' Sierzchuła","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"fr":{"title":"“C’est toujours moi, Khady Demba”, de “Trois femmes puissantes de” M. NDiaye.","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"***Le présent texte constitue une libre  traduction de l’article ci-contre adressé à des lecteurs polonophones.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Reconnu par la critique (prix Goncourt 2009), apprécié par les lecteurs (plus d’un demi million d’exemplaires vendus), le dernier roman de Marie NDiaye vaut être lu pour au moins trois raisons : un style novateur, une histoire intéressante et un message loin d’être banal.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Cette écrivaine d’origine franco-sénégalaise a effectivement réussi à s’emparer d’un bon nombre de lecteurs non seulement grâce à de captivantes histoires, mais aussi à une ambiance singulière de sa prose composée à l’aide du procédé dit « réalisme magique ». Comme l’indique déjà le titre, son plus récent roman traite de trois femmes puissantes.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{"target":{"metadata":{"tags":[],"concepts":[]},"sys":{"space":{"sys":{"type":"Link","linkType":"Space","id":"mr4anmal14yv"}},"id":"c3Fh5CXEgBhShOFY5SmWEMc","type":"Asset","createdAt":"2019-08-22T13:23:53.524Z","updatedAt":"2019-08-22T13:23:53.524Z","environment":{"sys":{"id":"master","type":"Link","linkType":"Environment"}},"publishedVersion":4,"revision":1},"fields":{"title":{"pl-PL":"marie-ndiaye1"},"file":{"pl-PL":{"url":"//images.ctfassets.net/mr4anmal14yv/3Fh5CXEgBhShOFY5SmWEMc/885ac821358291027b7773ae8d628d6e/marie-ndiaye1.jpeg","details":{"size":23164,"image":{"width":600,"height":348}},"fileName":"marie-ndiaye1.jpeg","contentType":"image/jpeg"}}}}},"content":[],"nodeType":"embedded-asset-block"},{"data":{},"content":[{"data":{},"marks":[],"value":"Prénommées Nora, Fanta et Khady Demba, celles-ci sont fortes à de nombreux égards, sans que leur force équivaille nécessairement à la résistance psychique. Après de nombreuses années de séparation, Nora doit ainsi faire face à son père autoritaire et ultra misogyne ainsi qu’à un secret familial susceptible de surprendre même le plus perspicace lecteur. Jadis professeur de lettres à Dakar, Fanta, demeurant depuis quelques années en France, apparaît dans le roman de Marie NDiaye de manière indirecte – sa présence n’est marquée que par le récit de son mari qui se reproche constamment de ne pouvoir garantir à sa conjointe des conditions décentes de vie en Europe.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Personnellement, je me suis laissé séduire le plus par  l’histoire de Khady Demba, veuve sans enfants, qui, après le décès de son mari, se trouve contrainte à affronter toute sorte d’humiliation. Malgré les vicissitudes de son existence, Khady garde sa dignité, en répétant sans cesse des mots rythmiques et, quelque simples soient-ils, riches de sens : « C’est toujours moi, Khady Demba. ","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Cette phrase pourrait en effet constituer le message du livre de NDiaye : quelles que soient les circonstances, reste fidèle à tes propres principes, ne désespère jamais et, avant tout, aie toujours le courage de regarder ta vie droit dans les yeux !","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Traduction : ","nodeType":"text"},{"data":{"uri":"https://pawel-hladki.com/qui-suis-je/"},"content":[{"data":{},"marks":[],"value":"","nodeType":"text"}],"nodeType":"hyperlink"},{"data":{},"marks":[],"value":"Paweł Hładki","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Photo : Kasia 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