{"data":{"pl":{"title":"„Baumgarten” - ostatnia powieść Paula Austera","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Powieść Paula Austera ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":", opublikowana zaledwie kilka miesięcy przed śmiercią tego słynnego amerykańskiego pisarza, stanowi zwieńczenie jego wieloletniej kariery literackiej, bogatej w liczne bestsellery – wspomnijmy chociażby ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"New York Trilogy","nodeType":"text"},{"data":{},"marks":[],"value":" czy ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Moon Palace","nodeType":"text"},{"data":{},"marks":[],"value":" – dzięki którym autor na trwałe zapisał się w gronie najwybitniejszych twórców światowej literatury ostatnich czterdziestu lat.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Wielowarstwowa przestrzeń narracyjna powieści została zbudowana wokół przedwczesnej śmierci żony tytułowego bohatera, Anny. Baumgarten porównuje to tragiczne wydarzenie do utraty kończyny, której brak – mimo upływu czasu – wciąż pozostaje boleśnie odczuwalny. To porównanie doskonale oddaje emocjonalną pustkę i ból, z jakimi bohater zmaga się aż po kres własnej egzystencji. Wszelkie próby zastąpienia bezpowrotnie utraconej części swojego „ja” okazują się jedynie niezadowalającymi substytutami, niezdolnymi cofnąć czasu ani pomóc mu na nowo w pełni cieszyć się życiem.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ukojenie przynosi jedynie pielęgnowanie wspomnień o zmarłej żonie – Baumgarten żyje wspólnie spędzonymi chwilami oraz pracą nad jej nieopublikowaną twórczością. Niespodziewana wiadomość od młodej doktorantki, Beatrix Coen, zainteresowanej badaniem literackiego dorobku Anny, wnosi w monotonię życia bohatera powiew świeżości i pozwala wydobyć mu się z marazmu. Czy oczekiwana wizyta badaczki stanie się dla Baumgartena nowym początkiem?","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Choć ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":" nie dorównuje najwybitniejszym powieściom Austera, pozostaje wciągającą lekturą, której trudno się oprzeć. Jej atutem – a zarazem słabością – jest charakterystyczna dla autora wielowątkowa narracja, nad którą tym razem nie zawsze udaje mu się w pełni zapanować. W przeciwieństwie do jego najlepszych książek, tutaj niektóre wątki wydają się zbędne, przypadkowe, a nawet nadmiernie rozwleczone. ","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"W szczególności pod koniec powieści pojawia się wątek podróży Baumgartena na Ukrainę, który wydaje się oderwany od głównej osi narracyjnej. Choć można dostrzec jego symboliczne znaczenie, to jednak pozostaje on niedostatecznie osadzony w strukturze książki. W przeciwieństwie do precyzyjnie skonstruowanych fabularnych układanek w jego najlepszych powieściach, tutaj odnosi się wrażenie, że Auster wprowadza ten epizod niemal arbitralnie, jakby pod wpływem nagłego impulsu. Brakuje klarownego powiązania z wcześniejszymi wydarzeniami, przez co fragment ten sprawia wrażenie bardziej osobistej refleksji autora niż organicznej części powieści. Tym samym, choć ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":"pozostaje lekturą angażującą i pełną charakterystycznej dla Austera melancholii, to jednak w finale traci swoją narracyjną spójność, pozostawiając czytelnika z poczuciem pewnego niedosytu.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"fr":{"title":"\"Baumgarten\" : le dernier roman de Paul Auster ","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Le roman ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":" de Paul Auster, publié quelques mois seulement avant la mort de ce célèbre écrivain américain, constitue l’aboutissement de sa longue carrière littéraire, riche en best-sellers – citons par exemple ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"New York Trilogy","nodeType":"text"},{"data":{},"marks":[],"value":" ou ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Moon Palace","nodeType":"text"},{"data":{},"marks":[],"value":" – qui lui ont permis de s’inscrire durablement parmi les plus grands auteurs de la littérature mondiale de ces quarante dernières années.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"L’espace narratif complexe du roman s’organise autour de la mort prématurée de l’épouse du protagoniste éponyme, Anna. Baumgarten compare cet événement tragique à la perte d’un membre, dont l’absence, malgré le passage du temps, reste douloureusement perceptible. Cette métaphore traduit parfaitement le vide émotionnel et la souffrance auxquels le personnage est confronté jusqu’à la fin de son existence. Toutes ses tentatives de combler cette partie irrémédiablement perdue de son « moi » ne sont que des substituts insatisfaisants, incapables de remonter le temps ou de lui permettre de retrouver le goût de la vie.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Seul le souvenir de sa femme disparue lui apporte un semblant de réconfort – Baumgarten vit à travers les moments qu’ils ont partagés et le travail sur les écrits inédits d’Anna. L’arrivée inattendue d’un message d’une jeune doctorante, Beatrix Coen, qui s’intéresse à l’œuvre littéraire d’Anna, insuffle un vent de fraîcheur dans la monotonie de sa vie et l’aide à sortir de son apathie. Cette visite tant attendue marquera-t-elle un nouveau départ pour Baumgarten ?","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Si ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":" n’égale pas les plus grands romans d’Auster, il reste une lecture captivante, difficile à lâcher. Son atout – mais aussi sa faiblesse – réside dans la narration à multiples niveaux, typique de l’auteur, mais que ce dernier ne parvient pas toujours à maîtriser pleinement cette fois-ci. Contrairement à ses meilleurs ouvrages, ici, certains fils narratifs paraissent superflus, aléatoires, voire inutilement étirés.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"En particulier, vers la fin du roman, l’intrigue de Baumgarten partant en Ukraine semble détachée du fil narratif principal. Bien que l’on puisse y voir une signification symbolique, elle reste insuffisamment intégrée dans la structure du livre. Contrairement aux constructions narratives précises et élaborées de ses meilleurs romans, ici, l’on a l’impression qu’Auster insère cet épisode presque arbitrairement, comme une impulsion soudaine. Le manque de connexion claire avec les événements précédents donne à ce passage des allures de réflexion personnelle de l’auteur plutôt que d’un élément organique du récit. Ainsi, bien que ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Baumgarten","nodeType":"text"},{"data":{},"marks":[],"value":" demeure une lecture prenante, imprégnée de la mélancolie caractéristique d’Auster, son final manque de cohérence narrative, laissant au lecteur un sentiment d’inachevé.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"en":{"title":"\"Baumgarten\" - Paul Auster's Final Novel","content":{"json":{"nodeType":"document","data":{},"content":[{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Paul Auster's novel ","marks":[],"data":{}},{"nodeType":"text","value":"Baumgarten","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":", published just a few months before the death of the renowned American writer, serves as the culmination of his long literary career, rich in bestsellers – let us mention ","marks":[],"data":{}},{"nodeType":"text","value":"New York Trilogy","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":",  and ","marks":[],"data":{}},{"nodeType":"text","value":"Moon Palace","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":" – which have permanently established him among the greatest authors of world literature in the past forty years.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"The novel's multi-layered narrative space is built around the premature death of the protagonist's wife, Anna. Baumgarten compares this tragic event to losing a limb, the absence of which – despite the passage of time – remains painfully perceptible. This comparison perfectly conveys the emotional void and suffering the protagonist endures until the very end of his existence. All attempts to replace the irretrievably lost part of his “self” turn out to be mere unsatisfactory substitutes, incapable of turning back time or helping him fully embrace life again.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Only the act of cherishing memories of his late wife brings him solace – Baumgarten lives through the moments they shared and his work on Anna's unpublished writings. An unexpected message from a young PhD student, Beatrix Coen, who is interested in studying Anna’s literary legacy, injects a breath of fresh air into the monotony of his life and helps him emerge from his lethargy. Will the researcher’s anticipated visit mark a new beginning for Baumgarten?","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Although ","marks":[],"data":{}},{"nodeType":"text","value":"Baumgarten","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":" does not match Auster’s greatest novels, it remains an engaging read that is hard to put down. Its strength – and at the same time its weakness – lies in the author’s signature multi-threaded narrative, which this time he does not always manage to fully control. Unlike his finest works, here, some storylines seem unnecessary, random, or even overly drawn out.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Most notably, towards the end of the novel, the subplot involving Baumgarten's journey to Ukraine feels detached from the main narrative arc. While one might discern some symbolic significance, it remains insufficiently anchored in the book’s structure. In contrast to the carefully constructed, intricately woven plots of his best novels, here, it seems as if Auster introduces this episode almost arbitrarily, as if on a whim. The lack of a clear connection to previous events makes this section feel more like the author’s personal reflection rather than an organic part of the novel. Thus, while ","marks":[],"data":{}},{"nodeType":"text","value":"Baumgarten","marks":[{"type":"italic"}],"data":{}},{"nodeType":"text","value":" remains a compelling read, infused with Auster’s characteristic melancholy, its ending loses narrative cohesion, leaving the reader with a sense of unfinished resolution.","marks":[],"data":{}}]}]}}},"node":{"articleImage":{"title":"Baumgarten","fluid":{"aspectRatio":0.75,"src":"//images.ctfassets.net/mr4anmal14yv/33TxDfGp7DVURuTuc7jLFG/7c989cb5f43ff1d3c1b9584be3c9aa74/WhatsApp_Image_2025-02-23_at_10.59.06.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/33TxDfGp7DVURuTuc7jLFG/7c989cb5f43ff1d3c1b9584be3c9aa74/WhatsApp_Image_2025-02-23_at_10.59.06.jpeg?w=200&h=267&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/33TxDfGp7DVURuTuc7jLFG/7c989cb5f43ff1d3c1b9584be3c9aa74/WhatsApp_Image_2025-02-23_at_10.59.06.jpeg?w=400&h=533&q=50 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