{"data":{"pl":{"title":"\"John, syn Johna\" Douglasa Stuarta","content":{"json":{"nodeType":"document","data":{},"content":[{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Douglas Stuart, „John of John” — ciężar niewypowiedzianego","marks":[{"type":"bold"}],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"W „John of John” Douglas Stuart opowiada o powrocie do domu, który zamiast przynieść ukojenie, otwiera dawne rany. John-Calum Macleod wraca po studiach artystycznych w Edynburgu na wyspę Harris w szkockich Hebrydach.Czekają tam na niego rodzina, surowe obyczaje i wspólnota, w której wiara wyznacza granice tego, co wolno powiedzieć, poczuć i uznać za własne. W centrum opowieści znajduje się trudna relacja z ojcem naznaczona przemilczeniami, wstydem i pragnieniem bliskości.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Największą siłą powieści jest jej pomysł. Homoseksualność ojca nadaje rodzinnej historii nieoczekiwaną głębię: za konfliktem pokoleń odsłania się pokrewieństwo doświadczeń, których żaden z mężczyzn nie potrafi swobodnie wyrazić. To obiecujący paradoks - wspólnota pragnień nie znosi dzielącego ich dystansu, lecz czyni go jeszcze boleśniejszym. Stuart buduje w ten sposób fascynującą opowieść o ludziach, którzy mogliby się zrozumieć, gdyby umieli przekroczyć własny lęk.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Szczególnie interesujące jest napięcie między religią a homoseksualnością. Wiara, która daje poczucie przynależności, staje się zarazem źródłem wewnętrznego wygnania. Ten temat zasługuje w literaturze na więcej miejsca i odważniejsze spojrzenie. Stuart dostrzega jego dramatyczny potencjał, lecz nie zgłębia go dostatecznie. Zbyt rzadko pozwala sprzecznościom wybrzmieć w całej ich moralnej i psychologicznej złożoności. Pozostaje niedosyt: właśnie tam, gdzie opowieść mogłaby sięgnąć najgłębiej, zatrzymuje się o krok za wcześnie.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Historia mimo to przyciąga. Jej sceneria, rodzinne tajemnice i napięcia między bohaterami niemal same układają się w obrazy filmowe. Łatwo wyobrazić sobie ekranizację, w której spojrzenia i cisza dopowiedziałyby to, czego brakuje na kartach książki. Ta sugestywność fabuły uwydatnia jednak słabość literackiej formy. Linearny tok narracji nie przynosi większych zaskoczeń, a zdania, choć sprawne, rzadko zatrzymują czytelnika swoim rytmem, obrazem czy nieoczywistą myślą. Opowieść płynie, lecz język nie zawsze nadaje jej oczekiwaną siłę.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Podobny niedosyt pozostawiają postacie. Ich losy poruszają, ale ich osobowości nie są rozwinięte na tyle, by można było w pełni zamieszkać w ich świecie. Rozumiemy wagę ich konfliktów; trudniej poczuć całą niepowtarzalność ludzi, którzy je przeżywają. Stuart zdaje się bardziej ufać sile samej historii niż możliwościom języka i subtelnej pracy nad charakterem.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"\"John, syn Johna\"  jest dobrą, wciągającą powieścią o sekretach, które dziedziczymy, i o bliskości udaremnionej przez wstyd. Nie osiąga jednak poziomu dwóch wcześniejszych książek Stuarta, zwłaszcza „Shuggiego Baina”.Zabrakło tu tej pełni, w której zdanie, postać i opowieść wzajemnie nadają sobie głębię. Pozostaje historia fascynująca — i żal, że jej literacki kształt nie dorównuje obietnicy.","marks":[],"data":{}}]}]}}},"fr":{"title":"\"John, fils de John\" de Douglas Stuart","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Cal Macleod rêvait de textile et d'Édimbourg, mais son père, John, le rappelle sur l'île de Harris pour veiller sur sa grand-mère Ella. Le voilà de retour à la ferme, dans un monde rythmé par les moutons, le métier à tisser et les prières d'une communauté presbytérienne intransigeante. Sous le même toit, trois êtres qui ne se parlent presque pas et que leurs secrets séparent. Douglas Stuart prend un malin plaisir à faire durer le mystère : qui sait quoi, et depuis quand ?","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ce qui frappe d'abord, c'est l'audace du point de départ. On croit lire l'histoire d'un fils qui cache sa vérité à un père sévère, et c'est le père, finalement, qui se débat entre sa foi et un désir qu'on ne lui a jamais permis de vivre. Le renversement est inattendu et donne au roman son élan.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Derrière lui se cache un sujet rarement traité en littérature : la collision entre une religion rigoureuse et l'homosexualité. C'est pourtant là que le livre déçoit. Stuart effleure la question sans oser s'y enfoncer, alors qu'elle aurait dû être le cœur battant du récit et non une toile de fond.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"L'histoire, elle, est fascinante. On voit déjà le film : les landes battues par le vent, la ferme isolée, les vérités qui éclatent l'une après l'autre. Mais l'auteur semble s'être tant occupé du fond qu'il en a négligé la forme, et c'est la vraie faiblesse du roman. Le récit avance en ligne droite, les phrases sont correctes sans jamais surprendre, et les personnages manquent d'épaisseur pour porter un tel sujet. Les révélations, faute de chair, résonnent moins fort qu'elles ne le devraient.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"On ne peut s'empêcher de mesurer ce livre à ses aînés, et la comparaison lui est cruelle. ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"\"","nodeType":"text"},{"data":{},"marks":[],"value":"John, fils de John","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"\" ","nodeType":"text"},{"data":{},"marks":[],"value":"est un bon roman, mais on y cherche en vain la langue et l'émotion qui faisaient la force de ses deux premiers livres, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Shuggie Bain","nodeType":"text"},{"data":{},"marks":[],"value":" en tête.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Reste une lecture qui vaut le détour, pour son idée audacieuse et son histoire prenante. Dommage seulement que l'écriture n'ait pas eu l'ambition de l'idée.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"en":{"title":"'John of John\" by Douglas Stuart","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Cal Macleod is a young textile student in Edinburgh when his father, John, orders him home to the Isle of Harris to look after his grandmother Ella. Back in the family croft, among sheep, looms and a strict Presbyterian community, the three of them share a house and a habit of saying very little to one another. Each guards a secret, and Douglas Stuart takes his time revealing how many of those secrets are already known. ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"John of John","nodeType":"text"},{"data":{},"marks":[],"value":" is his third novel, and it takes him from Glasgow to the Outer Hebrides.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"What stayed with me first is how original the story is. Given the premise, you expect a son hiding who he is from a harsh father. Stuart turns this around, and it is the father who is torn between his faith and a desire he has never been allowed to live. It's a surprising choice, and it gives the novel real momentum.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"It also touches on a theme that literature hasn't explored enough: the conflict between rigorous religion and homosexuality. This is where I felt let down. Stuart raises the question but never really digs into it, and what should have been the heart of the book stays in the background of the plot.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The story itself is fascinating, and it's easy to picture on screen, with the island landscape, the croft and the revelations that keep coming. But Stuart seems more interested in what happens than in how he tells it. The structure is linear and the sentences, though competent, have nothing particularly distinctive about them. The characters aren't developed enough to carry the weight of the story, so the big moments hit less hard than they should. A story this strong deserves a form that matches it, and here the form is the novel's real weakness.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"It's hard not to compare the book with Stuart's earlier work, and the comparison isn't kind to it. ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"John of John","nodeType":"text"},{"data":{},"marks":[],"value":" is a good novel, but it doesn't match the standard he set with his first two books, and above all with ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Shuggie Bain","nodeType":"text"},{"data":{},"marks":[],"value":", whose language and emotional depth are missing here.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Even so, it's worth reading for its original premise and its absorbing story. I just wish the writing had been as ambitious as the idea behind it.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"node":{"articleImage":{"title":"John of John","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/10u1FQEyJH7PU3CtMeQDgg/e3d19533926d8fed64170f5d276140fb/IMG_0713.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/10u1FQEyJH7PU3CtMeQDgg/e3d19533926d8fed64170f5d276140fb/IMG_0713.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/10u1FQEyJH7PU3CtMeQDgg/e3d19533926d8fed64170f5d276140fb/IMG_0713.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/10u1FQEyJH7PU3CtMeQDgg/e3d19533926d8fed64170f5d276140fb/IMG_0713.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/10u1FQEyJH7PU3CtMeQDgg/e3d19533926d8fed64170f5d276140fb/IMG_0713.jpeg?w=1200&h=675&q=50 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