{"data":{"pl":{"nodes":[{"title":"\"My\" Davida Nichollsa","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"nodeType":"document","data":{},"content":[{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"David Nicholls w powieści \"My\" opowiada historię Douglasa Petersena, biochemika w średnim wieku, którego wygodne, choć nieco monotonne życie zostaje wywrócone do góry nogami, gdy jego żona Connie oznajmia, że rozważa odejście od niego, gdy ich jedyny syn wyjedzie na studia. W desperackiej próbie uratowania zarówno swojego małżeństwa, jak i relacji z nastoletnim synem, Douglas organizuje dla nich trojga „Wielką Podróż” po Europie. To, co miało być kulturalną wycieczką rodzinną, szybko zamienia się w emocjonalną podróż, podczas której Douglas — czasem komicznie, czasem boleśnie — próbuje odzyskać uczucia Connie, a jednocześnie nauczyć się na nowo nawiązywać więź ze swoim synem.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Powieść przeplata wydarzenia z podróży z teraźniejszości ze wspomnieniami Douglasa: jego poznaniem Connie, historią ich miłości i latami wspólnego życia. Nicholls wykorzystuje tę strukturę, aby podkreślić kontrast między ostrożną, racjonalną osobowością Douglasa a nieokiełznanym, artystycznym duchem Connie. Napięcie wynikające z tych różnic nadaje książce energię i ducha, zachęcając czytelnika do refleksji nad miłością, kompromisem i upływem czasu.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"Powieść \"My\" nie jest arcydziełem literatury, ale to bardzo dobra książka na wakacje: przystępna, łatwa w odbiorze i pełna humoru. Styl Nichollsa czyta się lekko, a jego obserwacje na temat życia rodzinnego i małżeństwa są zarówno trafne, jak i pełne czułości. Tym, co ostatecznie ratuje powieść przed przewidywalnością, jest jej zakończenie. Wysiłki Douglasa, by ocalić małżeństwo, zawodzą i zamiast schematycznego, hollywoodzkiego happy endu Nicholls wybiera bardziej szczere rozwiązanie — Douglas musi pogodzić się ze stratą i iść dalej. Ten wybór sprawia, że historia staje się bardziej autentyczna i emocjonalnie satysfakcjonująca.","marks":[],"data":{}}]},{"nodeType":"paragraph","data":{},"content":[{"nodeType":"text","value":"\"My\" to słodko-gorzka opowieść o miłości, porażce i sile przetrwania — wystarczająco lekka, by zabrać ją na wakacje, ale bez głębi, która pozostałaby z czytelnikiem na dłużej.","marks":[],"data":{}}]}]}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"„Our Evenings” [Nasze wieczory] Alana Hollinghursta","date":"10/07/2025","slug":"our-evenings","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] opowiada historię Dave’a Wina, mężczyzny o mieszanym pochodzeniu rasowym, wywodzącego się ze skromnej rodziny. Dzięki stypendium trafia do prestiżowej prywatnej szkoły, gdzie poznaje Edwarda, czarującego syna zamożnej, arystokratycznej rodziny. Od tego momentu ich losy zaczynają się splatać, prowadząc od młodzieńczych fascynacji przez kolejne dekady wspólnych — choć czasem burzliwych — doświadczeń. Choć Dave ostatecznie nie kończy studiów w Oksfordzie, z czasem zdobywa sławę jako aktor, podziwiany na scenie i ekranie. Jego pochodzenie etniczne w subtelny sposób kształtuje poczucie bycia kimś na uboczu, nawet w tętniących życiem londyńskich środowiskach gejowskich. Przez całą powieść historia Dave’a pozostaje nierozerwalnie związana z historią Edwarda: ich przelotne romanse, zmienne układy sił i trwała, choć nierówna więź napędzają narrację, ukazując, jak klasa, rasa i seksualność splatają się w Anglii na przestrzeni dziesięcioleci.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Choć ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] zapowiada się na wnikliwy, poruszający portret pragnień i pamięci, pod koniec czytelnik zadaje sobie pytanie, po co to wszystko właściwie było. Sam zamysł jest urzekający: ukazać, jak zmieniały się życie i miłość gejów na tle przemian społecznych. Jednak mimo tego bogatego tła powieść nie dostarcza emocjonalnej siły, którą obiecywała. Znajdziemy tu piękne zdania, sugestywne obrazy i trafne spostrzeżenia obyczajowe, ale fabuła ostatecznie się rozmywa. Bohaterowie, choć wyraziści w opisie zewnętrznym, pozostają mało prawdziwi, a ich przeżycia ukazane są jedynie powierzchownie.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"To tym bardziej rozczarowuje, że punkt wyjścia jest naprawdę mocny. Powieść, która ma oddać doświadczenia gejów na przestrzeni dziesięcioleci, powinna poruszać albo przynajmniej skłaniać do głębszej refleksji. Tymczasem zamykamy książkę z poczuciem obojętności, jakby nic istotnego się nie wydarzyło. Ostatecznie ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] sprawia wrażenie zmarnowanej szansy. Styl Hollinghursta pozostaje pełen wdzięku, ale tym razem sama forma nie wystarcza, by udźwignąć opowieść, która nigdy do końca nie pokazuje, dlaczego te życia i miłości powinny naprawdę coś dla nas znaczyć.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Our evenings","fluid":{"aspectRatio":1.777728482697427,"src":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Wegetarianka\" Han Kang: Między ciałem a duchem","date":"15/06/2025","slug":"the-vegetarian","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Jak co roku, Akademia Szwedzka ogłosiła swój długo wyczekiwany werdykt, śledzony z zapartym tchem przez miłośników literatury na całym świecie. Tym razem jury przyznało Literacką Nagrodę Nobla Han Kang, zwracając uwagę na pisarkę, która niekoniecznie była wcześniej znana szerszemu gronu czytelników. Jak wielu innych, pobiegłem do księgarni, przejrzałem dostępne tytuły nowo uhonorowanej laureatki i stanąłem przed poważnym dylematem: od której z jej powieści zacząć? Nie mogąc się zdecydować, kupiłem trzy książki: \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Wiatr wieje, idź","nodeType":"text"},{"data":{},"marks":[],"value":"\", \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nie mówię żegnaj","nodeType":"text"},{"data":{},"marks":[],"value":" \" oraz \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Wegetariankę\"","nodeType":"text"},{"data":{},"marks":[],"value":". Krótkie poszukiwania w internecie pomogły mi wybrać \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Wegetariankę\"","nodeType":"text"},{"data":{},"marks":[],"value":" jako pierwsze zetknięcie z jej twórczością.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ta doceniona przez krytyków powieść, nagrodzona Międzynarodową Nagrodą Bookera w 2016 roku, opowiada historię Yeong-hye – kobiety dręczonej przez tajemnicze koszmary, która pewnego dnia decyduje się przestać jeść mięso. Decyzja ta  okazuje się niezwykle kontrowersyjna w konserwatywnym azjatyckim społeczeństwie,. To, co zaczyna się jako osobisty akt sprzeciwu, szybko przeradza się w źródło głębokiego konfliktu rodzinnego i społecznego – bliscy reagują niezrozumieniem, niepokojem, a w końcu jawną wrogością.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Podczas rodzinnego spotkania Yeong-hye zostaje fizycznie zmuszona przez tyranicznego ojca do zjedzenia mięsa. Jej reakcja jest zarazem szokująca i symboliczna: chwyta nóż ze stołu i na oczach osłupiałych krewnych podcina sobie żyły. To wydarzenie prowadzi do jej pierwszej hospitalizacji, ujawniając głębię jej psychicznego cierpienia. Wstręt do mięsa szybko przeradza się w ogólną niechęć do jedzenia. Yeong-hye zaczyna postrzegać siebie jako roślinę, wierząc, że do życia potrzebuje jedynie wody i światła słonecznego.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Pokochałem tę książkę z wielu powodów. Nie znając wcześniej kultury koreańskiej, odkryłem dzięki ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Wegetariance ","nodeType":"text"},{"data":{},"marks":[],"value":"wrażliwość, która zdaje się niemal nieobecna w zachodniej tradycji literackiej – pełną duchowości, niewypowiedzianych napięć i nastrojowej poetyckości. Han Kang z mistrzowską precyzją eksploruje tematy sprzeciwu, tożsamości i granic autonomii, posługując się pozornie prostą narracją, która stopniowo staje się coraz bardziej surrealistyczna i niepokojąca. Lektura tej powieści była doświadczeniem intensywnym i poruszającym. Z niecierpliwością czekam na lekturę pozostałych dwóch książek, mając nadzieję, że również one ukażą kolejne aspekty wyjątkowego i głęboko poruszającego świata Han Kang.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"The Vegetarian","fluid":{"aspectRatio":1.3335766423357664,"src":"//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=2400&h=1800&q=50 2400w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=3654&h=2740&q=50 3654w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=2400&h=1800&q=50&fm=webp 2400w,\n//images.ctfassets.net/mr4anmal14yv/56EzVmTUeuxuGdTb87iKOy/1500a78bc7e78e15ac14875ebcd5d835/IMG_4275.jpeg?w=3654&h=2740&q=50&fm=webp 3654w","sizes":"(max-width: 800px) 100vw, 800px"}}}]},"fr":{"nodes":[{"title":"\"Les Corrections\" de Jonathan Franzen","date":"01/11/2025","slug":"the-corrections","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"Lorsque j’ai ouvert ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"\"Les Corrections\"","nodeType":"text"},{"data":{},"marks":[],"value":", c’est en suivant la recommandation du The New York Times, qui l’avait classé parmi les cent ouvrages les plus importants du XXIᵉ siècle : à la cinquième place, rien de moins. Une telle distinction crée des attentes considérables, et le roman de Franzen, à bien des endroits, y répond avec éclat.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Au centre du livre se trouve la famille Lambert : Enid et Alfred, couple vieillissant du Midwest, et leurs trois enfants adultes : Gary, Chip et Denise. Enid rêve d’un dernier Noël parfait à St. Jude, leur ville natale, tandis que ses enfants, chacun à sa manière, s’enlisent dans la désillusion : Gary, banquier prospère mais dévasté intérieurement ; Chip, universitaire déchu lancé dans des affaires douteuses ; Denise, cheffe brillante tiraillée entre ambition, loyauté et culpabilité. À travers leurs histoires, le roman met au jour les failles qui, peu à peu, ont fissuré une famille jadis soudée par la routine, la foi et le devoir.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Les pages les plus bouleversantes sont celles consacrées à leur enfance. Franzen y déploie une écriture d’une précision tendre, attentive aux moindres frémissements du quotidien. En glissant sans effort d’une conscience à l’autre, il donne l’impression d’un organisme unique dont chaque membre n’existerait qu’à travers les autres. Dans ces passages, le livre respire, palpite, devient presque douloureusement vrai.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"La structure non chronologique renforce cette impression. Elle épouse les mouvements de la mémoire, qui fait sans cesse remonter le passé dans le présent. Mais cette fragmentation révèle aussi les inégalités du roman : certaines sections brillent par leur justesse et leur profondeur, tandis que d’autres s’alourdissent de satire ou s’égarent dans l’excès.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"La partie la plus faible, selon moi, est celle où Chip travaille comme promoteur culturel en Lituanie. Ce qui devait être une comédie noire glisse vers la caricature. La Lituanie post-soviétique y apparaît comme un territoire de truands sans substance, une vision condescendante et assez éloignée du réel. L’humour, ailleurs incisif, devient ici pesant et presque grinçant.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Franzen se rachète toutefois dans les chapitres décrivant l’affaiblissement d’Alfred, emporté par la maladie de Parkinson. Ce sont des pages d’une grande humanité, sobres, douloureuses, qui disent la fragilité du corps et la persistance de la dignité. Elles restent longtemps en mémoire, bien après que la satire s’est dissipée.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"En fin de compte, \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Les Corrections\"","nodeType":"text"},{"data":{},"marks":[],"value":" est un roman profondément humain, quoique inégal. Il navigue entre ironie et compassion, éclairs de génie et débordements. Mais malgré ses failles, il demeure une méditation puissante sur la famille, la mémoire et ces petites corrections douloureuses par lesquelles nous tentons, un jour ou l’autre, de remettre un peu d’ordre dans nos vies.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"the corrections","fluid":{"aspectRatio":1.3333333333333333,"src":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Nous\" de David Nicholls","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" de David Nicholls raconte l’histoire de Douglas Petersen, un biochimiste cinquantainaire dont la vie confortable, mais un peu monotone, bascule lorsque sa femme, Connie, lui annonce qu’elle envisage de le quitter une fois que leur fils unique partira à l’université. Dans une tentative désespérée de sauver à la fois son mariage et sa relation avec son fils, Douglas organise un « Grand Tour » de l’Europe. Ce qui devait être un voyage culturel en famille se transforme rapidement en une aventure émotionnelle, Douglas essayant — parfois de façon comique, parfois avec douleur — de regagner l’affection de Connie tout en apprenant à se rapprocher de son fils.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Le roman alterne entre le voyage actuel et les souvenirs de Douglas : sa rencontre avec Connie, leur histoire d’amour et leur vie de couple. Nicholls utilise cette structure pour mettre en lumière le contraste entre la personnalité prudente et rationnelle de Douglas et la nature libre et artistique de Connie. La tension entre ces différences donne au livre son énergie et son cœur, invitant le lecteur à réfléchir à l’amour, au compromis et au passage du temps.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" n’est pas un chef-d’œuvre de la littérature, mais c’est un très bon livre de vacances : accessible, facile à lire et parsemé d’humour. Le style de Nicholls est fluide, et ses observations sur la vie de famille et le mariage sonnent justes et pleines de tendresse. Ce qui sauve vraiment le roman de la prévisibilité, c’est sa fin : les efforts de Douglas pour sauver son mariage échouent, et au lieu d’offrir un dénouement formaté façon Hollywood, Nicholls choisit une conclusion plus honnête — Douglas doit accepter la perte et avancer. Ce choix rend le livre plus authentique et émotionnellement satisfaisant.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"\"Nous\" est une histoire douce-amère sur l’amour, l’échec et la résilience — suffisamment légère pour être lue en été, mais sans réelle profondeur pour marquer durablement une fois le livre refermé.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Our Evenings\" [Nos soirées] d’Alan Hollinghurst","date":"10/07/2025","slug":"our-evenings","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nos soirées","nodeType":"text"},{"data":{},"marks":[],"value":"] raconte l’histoire de Dave Win, un jeune homme métis issu d’un milieu modeste, qui obtient une bourse pour intégrer une prestigieuse école privée. C’est là qu’il rencontre Edward, héritier séduisant d’une famille aristocratique et fortunée. À partir de ce moment, leurs vies se croisent et s’enchevêtrent, de l’adolescence jusqu’à l’âge mûr. Même si Dave abandonne ses études à Oxford, il finit par devenir un acteur reconnu, applaudi sur scène comme au cinéma. Ses origines ethniques nourrissent son sentiment de rester à la marge, même dans les cercles gays londoniens où il évolue. Tout au long du roman, son histoire reste étroitement liée à celle d’Edward : leurs aventures, les rapports de force qui changent avec le temps, et cette relation durable, bien que déséquilibrée, donnent vie au récit et montrent comment la classe sociale, la race et la sexualité s’entrelacent au fil des décennies en Angleterre.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Dès le début, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [Nos soirées] s’annonce comme un roman intime et ambitieux sur le désir et la mémoire. Mais arrivé à la dernière page, on se demande bien à quoi tout cela a servi. L’idée de départ est pourtant séduisante : suivre l’évolution de la vie homosexuelle sur plusieurs décennies, en montrant comment les sentiments intimes sont façonnés par les bouleversements sociaux. Mais malgré la richesse du cadre, le récit peine à produire l’émotion attendue. On y trouve de belles phrases, des ambiances soignées, des observations justes, mais l’intrigue manque d’élan. Les personnages, bien qu’élaborés, gardent une certaine froideur, et leur vie intérieure semble à peine esquissée.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ce constat est d’autant plus amer que l’idée de départ était prometteuse. Un roman qui prétend saisir l’expérience homosexuelle sur le temps long devrait bouleverser ou, à tout le moins, faire réfléchir. Or, en refermant le livre, on reste étrangement détaché, comme si rien n’avait réellement compté. Au fond, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [Nos soirées] laisse le goût d’une occasion ratée. La plume de Hollinghurst reste élégante, mais cette fois, le style ne suffit pas à donner du poids à une histoire qui ne nous fait jamais vraiment sentir pourquoi ces vies et ces amours devraient nous importer.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Our evenings","fluid":{"aspectRatio":1.777728482697427,"src":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}}]},"en":{"nodes":[{"title":"\"The Corrections\" by Jonathan Franzen","date":"01/11/2025","slug":"the-corrections","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"When I picked up ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":", I was guided by the New York Times, which placed it among the one hundred most important books of the twenty-first century: number five on the list. Such a distinction sets expectations high, and Franzen’s novel, in many respects, meets them.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"At its heart, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":" tells the story of the Lambert family: Enid and Alfred, an aging Midwestern couple, and their three adult children, Gary, Chip, and Denise. Enid dreams of gathering everyone for one last perfect Christmas in St. Jude, their small Midwestern town, while each of her children struggles with disillusionment and moral confusion: Gary, a successful but unhappy banker; Chip, a failed academic turned dubious entrepreneur; and Denise, a talented chef caught between ambition and guilt. The narrative shifts between their lives, revealing the cracks that have formed over time in a family once bound by habit, faith, and duty.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The most moving sections are those devoted to the siblings’ childhood. In these pages, Franzen writes with a delicate precision, capturing the small joys and sorrows of domestic life. The narration, fluidly shifting from one consciousness to another, gives the impression of a single, shared organism: each family member incomplete without the others. Here, the novel feels alive, intimate, and painfully true.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The non-chronological structure strengthens this impression. Franzen’s fragmented storytelling mirrors the workings of memory itself, where the past constantly invades the present. Yet this structure also reveals the novel’s unevenness. Certain parts display emotional depth and subtlety, while others collapse under satire or excess.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The weakest section, to my mind, concerns Chip’s career as a cultural promoter in Lithuania. What may have been intended as dark comedy turns into ridicule. Franzen’s depiction of post-Soviet Lithuania: as a place ruled by gunmen and devoid of substance: feels condescending and detached from reality. The humour, elsewhere sharp and intelligent, here becomes heavy-handed and almost irritating.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Still, Franzen redeems himself in the portrayal of Alfred’s descent into Parkinson’s disease. These passages are poignant and unflinching, revealing the fragility of the human body and the stubborn dignity of old age. They carry an emotional truth that lingers long after the satire fades.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"The Corrections","nodeType":"text"},{"data":{},"marks":[],"value":" is, in the end, a deeply human but uneven novel. It oscillates between irony and empathy, brilliance and excess. Despite its flaws (and perhaps because of them) it stands as a powerful reflection on family, memory, and the small, painful adjustments we make in our lives in the hope of setting things right.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"the corrections","fluid":{"aspectRatio":1.3333333333333333,"src":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=200&h=150&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=400&h=300&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=800&h=600&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1200&h=900&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=1600&h=1200&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/2XwU0j9J92iY4SJIppfv89/7f5c9f7619d89d502da7145413ec015d/IMG_6664.jpeg?w=2400&h=1800&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"\"Us\" by David Nicholls","date":"26/09/2025","slug":"us-by-david-nicholls","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[],"value":"David Nicholls’ \"","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Us\"","nodeType":"text"},{"data":{},"marks":[],"value":" follows the story of Douglas Petersen, a middle-aged biochemist whose comfortable, if somewhat dull, life is thrown into crisis when his wife, Connie, announces that she is considering leaving him after their only son departs for university. In a desperate attempt to save both his marriage and his relationship with his teenage son, Douglas organizes a “Grand Tour” of Europe for the three of them. What begins as a cultural family trip quickly turns into an emotional journey, as Douglas tries—sometimes comically, sometimes painfully—to win back Connie’s affection while also learning how to reconnect with his son.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"The novel alternates between the present-day trip and Douglas’s memories of his courtship and married life with Connie. Nicholls uses this structure to highlight the contrasts between Douglas’s cautious, rational personality and Connie’s free-spirited, artistic nature. The tension between these differences gives the book its energy and heart, as readers are invited to reflect on love, compromise, and the passage of time.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"\"Us\"","nodeType":"text"},{"data":{},"marks":[],"value":" is not a masterpiece of literature, but it is a good book for the holidays: accessible, easy to read, and sprinkled with humor. Nicholls’ prose flows effortlessly, and his observations about family life and marriage feel both relatable and tender. What ultimately saves the book from predictability is its ending. Douglas’s efforts to save his marriage fail, and rather than delivering a formulaic, Hollywood-style resolution, Nicholls opts for a more honest conclusion—Douglas is forced to accept the loss and to move on. This choice makes the novel more authentic and emotionally satisfying.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"In the end, \"Us\" is a bittersweet story about love, failure, and resilience — light enough for a summer read, but without enough substance to linger afterwards.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Us","fluid":{"aspectRatio":1.7777777777777777,"src":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50 2400w","srcWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&q=50&fm=webp","srcSetWebp":"//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=200&h=113&q=50&fm=webp 200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=400&h=225&q=50&fm=webp 400w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=800&h=450&q=50&fm=webp 800w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1200&h=675&q=50&fm=webp 1200w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=1600&h=900&q=50&fm=webp 1600w,\n//images.ctfassets.net/mr4anmal14yv/79MR7V3dPO945gtY8hGcTP/e7192a1a557785d6edb2ab9894d39ba0/IMG_5269.jpeg?w=2400&h=1350&q=50&fm=webp 2400w","sizes":"(max-width: 800px) 100vw, 800px"}}},{"title":"“Our Evenings” by Alan Hollinghurst","date":"10/07/2025","slug":"our-evenings","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" follows Dave Win, a mixed-race boy from a modest family who earns a scholarship to a prestigious public school, where he first crosses paths with Edward, a charming young man from a wealthy, aristocratic background. Their lives become intertwined from adolescence onward. Though Dave later fails to complete his degree at Oxford, he eventually finds fame as an actor, celebrated on stage and screen. His ethnic background subtly shapes his sense of being an outsider, even within London’s vibrant gay circles. Throughout the novel, Dave’s story remains linked to Edward’s: their occasional affairs, shifting power dynamics, and enduring bond drive much of the narrative, revealing how class, race, and sexuality play out over decades of English life.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"From the very first page, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" promises to be a sweeping, intimate portrait of desire and memory, but by the final chapter, the reader is left wondering what, exactly, it was all for. The idea is compelling: to trace the evolution of gay life and love over such a long period, exploring how private passions are shaped by public change. Yet despite this rich backdrop, the novel struggles to deliver the emotional impact it seems to promise. There are beautiful sentences, atmospheric settings, and moments of keen social insight, but ultimately the narrative drifts. The characters, though clearly drawn, remain strangely distant, their inner lives only lightly touched on.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"It is disappointing precisely because the premise is so strong. A novel that sets out to capture gay experience across decades should leave us moved or at least reflective. Instead, we close the book with a sense of indifference, as if nothing truly important has happened. In the end, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" seems like a missed opportunity. Hollinghurst’s writing is as graceful as ever, but style alone cannot carry a story that never quite shows us why these lives and loves should matter.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}},"articleImage":{"title":"Our evenings","fluid":{"aspectRatio":1.777728482697427,"src":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50 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