{"data":{"pl":{"title":"„Our Evenings” [Nasze wieczory] Alana Hollinghursta","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] opowiada historię Dave’a Wina, mężczyzny o mieszanym pochodzeniu rasowym, wywodzącego się ze skromnej rodziny. Dzięki stypendium trafia do prestiżowej prywatnej szkoły, gdzie poznaje Edwarda, czarującego syna zamożnej, arystokratycznej rodziny. Od tego momentu ich losy zaczynają się splatać, prowadząc od młodzieńczych fascynacji przez kolejne dekady wspólnych — choć czasem burzliwych — doświadczeń. Choć Dave ostatecznie nie kończy studiów w Oksfordzie, z czasem zdobywa sławę jako aktor, podziwiany na scenie i ekranie. Jego pochodzenie etniczne w subtelny sposób kształtuje poczucie bycia kimś na uboczu, nawet w tętniących życiem londyńskich środowiskach gejowskich. Przez całą powieść historia Dave’a pozostaje nierozerwalnie związana z historią Edwarda: ich przelotne romanse, zmienne układy sił i trwała, choć nierówna więź napędzają narrację, ukazując, jak klasa, rasa i seksualność splatają się w Anglii na przestrzeni dziesięcioleci.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Choć ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] zapowiada się na wnikliwy, poruszający portret pragnień i pamięci, pod koniec czytelnik zadaje sobie pytanie, po co to wszystko właściwie było. Sam zamysł jest urzekający: ukazać, jak zmieniały się życie i miłość gejów na tle przemian społecznych. Jednak mimo tego bogatego tła powieść nie dostarcza emocjonalnej siły, którą obiecywała. Znajdziemy tu piękne zdania, sugestywne obrazy i trafne spostrzeżenia obyczajowe, ale fabuła ostatecznie się rozmywa. Bohaterowie, choć wyraziści w opisie zewnętrznym, pozostają mało prawdziwi, a ich przeżycia ukazane są jedynie powierzchownie.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"To tym bardziej rozczarowuje, że punkt wyjścia jest naprawdę mocny. Powieść, która ma oddać doświadczenia gejów na przestrzeni dziesięcioleci, powinna poruszać albo przynajmniej skłaniać do głębszej refleksji. Tymczasem zamykamy książkę z poczuciem obojętności, jakby nic istotnego się nie wydarzyło. Ostatecznie ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nasze wieczory","nodeType":"text"},{"data":{},"marks":[],"value":"] sprawia wrażenie zmarnowanej szansy. Styl Hollinghursta pozostaje pełen wdzięku, ale tym razem sama forma nie wystarcza, by udźwignąć opowieść, która nigdy do końca nie pokazuje, dlaczego te życia i miłości powinny naprawdę coś dla nas znaczyć.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"fr":{"title":"\"Our Evenings\" [Nos soirées] d’Alan Hollinghurst","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Nos soirées","nodeType":"text"},{"data":{},"marks":[],"value":"] raconte l’histoire de Dave Win, un jeune homme métis issu d’un milieu modeste, qui obtient une bourse pour intégrer une prestigieuse école privée. C’est là qu’il rencontre Edward, héritier séduisant d’une famille aristocratique et fortunée. À partir de ce moment, leurs vies se croisent et s’enchevêtrent, de l’adolescence jusqu’à l’âge mûr. Même si Dave abandonne ses études à Oxford, il finit par devenir un acteur reconnu, applaudi sur scène comme au cinéma. Ses origines ethniques nourrissent son sentiment de rester à la marge, même dans les cercles gays londoniens où il évolue. Tout au long du roman, son histoire reste étroitement liée à celle d’Edward : leurs aventures, les rapports de force qui changent avec le temps, et cette relation durable, bien que déséquilibrée, donnent vie au récit et montrent comment la classe sociale, la race et la sexualité s’entrelacent au fil des décennies en Angleterre.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Dès le début, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [Nos soirées] s’annonce comme un roman intime et ambitieux sur le désir et la mémoire. Mais arrivé à la dernière page, on se demande bien à quoi tout cela a servi. L’idée de départ est pourtant séduisante : suivre l’évolution de la vie homosexuelle sur plusieurs décennies, en montrant comment les sentiments intimes sont façonnés par les bouleversements sociaux. Mais malgré la richesse du cadre, le récit peine à produire l’émotion attendue. On y trouve de belles phrases, des ambiances soignées, des observations justes, mais l’intrigue manque d’élan. Les personnages, bien qu’élaborés, gardent une certaine froideur, et leur vie intérieure semble à peine esquissée.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"Ce constat est d’autant plus amer que l’idée de départ était prometteuse. Un roman qui prétend saisir l’expérience homosexuelle sur le temps long devrait bouleverser ou, à tout le moins, faire réfléchir. Or, en refermant le livre, on reste étrangement détaché, comme si rien n’avait réellement compté. Au fond, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" [Nos soirées] laisse le goût d’une occasion ratée. La plume de Hollinghurst reste élégante, mais cette fois, le style ne suffit pas à donner du poids à une histoire qui ne nous fait jamais vraiment sentir pourquoi ces vies et ces amours devraient nous importer.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"en":{"title":"“Our Evenings” by Alan Hollinghurst","content":{"json":{"data":{},"content":[{"data":{},"content":[{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" follows Dave Win, a mixed-race boy from a modest family who earns a scholarship to a prestigious public school, where he first crosses paths with Edward, a charming young man from a wealthy, aristocratic background. Their lives become intertwined from adolescence onward. Though Dave later fails to complete his degree at Oxford, he eventually finds fame as an actor, celebrated on stage and screen. His ethnic background subtly shapes his sense of being an outsider, even within London’s vibrant gay circles. Throughout the novel, Dave’s story remains linked to Edward’s: their occasional affairs, shifting power dynamics, and enduring bond drive much of the narrative, revealing how class, race, and sexuality play out over decades of English life.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"From the very first page, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" promises to be a sweeping, intimate portrait of desire and memory, but by the final chapter, the reader is left wondering what, exactly, it was all for. The idea is compelling: to trace the evolution of gay life and love over such a long period, exploring how private passions are shaped by public change. Yet despite this rich backdrop, the novel struggles to deliver the emotional impact it seems to promise. There are beautiful sentences, atmospheric settings, and moments of keen social insight, but ultimately the narrative drifts. The characters, though clearly drawn, remain strangely distant, their inner lives only lightly touched on.","nodeType":"text"}],"nodeType":"paragraph"},{"data":{},"content":[{"data":{},"marks":[],"value":"It is disappointing precisely because the premise is so strong. A novel that sets out to capture gay experience across decades should leave us moved or at least reflective. Instead, we close the book with a sense of indifference, as if nothing truly important has happened. In the end, ","nodeType":"text"},{"data":{},"marks":[{"type":"italic"}],"value":"Our Evenings","nodeType":"text"},{"data":{},"marks":[],"value":" seems like a missed opportunity. Hollinghurst’s writing is as graceful as ever, but style alone cannot carry a story that never quite shows us why these lives and loves should matter.","nodeType":"text"}],"nodeType":"paragraph"}],"nodeType":"document"}}},"node":{"articleImage":{"title":"Our evenings","fluid":{"aspectRatio":1.777728482697427,"src":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&q=50","srcSet":"//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=200&h=113&q=50 200w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=400&h=225&q=50 400w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=800&h=450&q=50 800w,\n//images.ctfassets.net/mr4anmal14yv/2pY8TjCkG8y9Z0gwqT3E0N/f2061ceeaf95a1628d8638bb985840b6/IMG_4770.jpeg?w=1200&h=675&q=50 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